Planning and Procrastination

Oh to heck with it… it’s just procrastination.

I’m lazy when it comes to working for myself. I’ve done it for years, and always (usually) managed to get everything done, but I procrastinate like there’s an eternity of tomorrows and no one counting on me.

I’m doing the same thing now. Perhaps, as I mentioned in a previous post, it is fear that is holding me back. What if my writing is not good enough? What if I can’t make it as a fiction writer?

Well, the simple answer is that I will just go back to doing what I did before. And really, it’s that simple. All my income sources are still there and still making as much money as they ever did. There is no risk.

But there is a risk to my feelings, my psyche. What will happen if I find out I can’t get one darn thing published? Not one agent interested in my novels or one magazine or anthology interested in my short stories? How will I feel then?

Being Okay With Trashing It

Now that I’m a professional writer (ahem), I somehow feel better about trashing large chunks of my writing when it doesn’t work.

Yesterday I was working on “Sweetest Poison,” trying to include more clarity about how the two main characters came to be traveling together. After writing about three pages of it, I realized it didn’t work for the story and tossed it. Okay… I didn’t toss it. I put it in a Notepad file and saved in a folder with the story itself. Throwing away writing seems sacrilegious to me. But it didn’t feel wrong. I didn’t feel like I wasted any time writing it.

The story itself is being troublesome. It’s a rather old one and has been critted several times. I spent a while yesterday reading over the crits and looking for common threads. When things get critiqued by multiple, quality people, it is much easier to know what you did wrong and fix it.

“Sweetest Poison” neglects to show readers how the two people came to be traveling together, and did not have enough clarity about the reason for their journey. I think I’ve fixed that last bit, but the first is bugging me.

They are traveling together because that’s what they do. Is it always necessary to have a meaning… a motivation behind doing something? These two characters have traveled together before. They are both adventuresome types, fighters, and friends of the prince. Isn’t that enough?

Troublesome…

It’s 10:22 am. First round of homeschooling is almost over. I have done my marketing for the day, checked emails and forums and now have completed a blog post.

Time to get going on fiction. Today I’m starting a story for the “On the Premises” mini contest due at the end of the month.

Full-Time Fiction Writing

.. with a bit of marketing, platform-building and tweaking of websites thrown in for good measure.

(They are, after all, important parts of becoming a professional writer, which I intend to be!)

I’m charting my progress on a new blog — Go Forth Boldly — where I will talk about the day-to-day processes of writing fiction full time and marketing my various pen names so I can build a solid fan base as I go.

Motley me has been working on “Sweetest Poison,” which had been critted by critters over a year ago. I’ve changed and grown a lot as a writer since then and think I can do justice to the story now. It will be the first one I submit to publications. Will keep you all posted on the progress.

Monday Morning: Back to Work

This is the day my kids’ summer vacation ends. They’re homeschooled and we go basically year round, but took most of July off this year. Hopefully they remember everything they’re supposed to remember.

I was a bit lazy in July as well, especially in this past week. Too much time in Azeroth and not enough time at the keyboard. Well, yeah.. at the keyboard, but not writing!

It’s Monday morning and time for all of us to get back to work. But work, for me, is so much different now.

My usual modus operandi for fiction writing before was to wait until the kids were tucked in bed and my youngest stopped making distracting noises. (Which could take more than an hour.) Then I would open up my WIP (work in progress) file and start typing. Maybe.

This will be the first time I will seriously try to write fiction with the kids in the same room as me. I hope I can break the tradition and get stuff done, because I can’t do all my writing at night if I’m going to be a full-time fiction writer.

The Plan For the Week:

  1. Work on the “Lust” entry for Accentuate short story contest ending Aug 31st.
  2. Edit “Sweetest Poison” and polish it to be ready for submission
  3. Write at least 5,000 words in “Shroud Work,” my fantasy novel

Getting those three things done will satisfy me.

Deep breath…  here I go.


Pride of the Pantser

I’ve always prided myself on being a pantser – writing by the seat of my pants – and still think it is the most magical way to get a first draft down. Writing what the characters tell me to write, as they tell the story of their lives, is energizing and usually not aggravating. It’s the stuff afterward that troubles me: the editing, polishing, rewriting, etc.

A couple of writing classes and reading of some published author’s blogs and sites have given me a new appreciation for the outline. I spent some time today creating a “Novel Template” loosely based on the three act structure. The thought of sticking my  novel into a template was off-putting at first, but, after working at it for an hour or so, I discovered new pathways that made so much more sense than my original story. Since I was on my first draft anyway, I knew I would have rewriting to do. That does not bother me.

Creating an outline or filling out a template not only organizes the story after the first draft is down, it helps with brainstorming before the fact. If I am going to create a true career out of fiction writing, I need to produce quality product quickly. Being organized can help me do that.

Besides working the template for my novel “Shroud Work” today, I brainstormed and jotted notes for a paranormal romance novella and found two markets for short stories I need to check out more.

Deep POV Tips for Action Scenes

In one of the novels I’m working on, the protagonist and his buddies get into a vicious fight with the bad guy. The fight reveals some important plot points, so I don’t want to gloss over it with a few well-placed “pows” and “whams” and then move on to other things. I want to sink the reader into the pain, power and gore and get their heart beating faster.

The first time I wrote the scene, I screwed up my close 3rd POV and went almost cinematic. In the midst of all the action of the fight, I focused on ONLY the action of the fight, and not what was really important. Let me give you a quick example of what I mean:

Matt pulled his fist back, grabbing at the collar of the man who stood leering in front of him. He swung and connected, feeling his knuckles mash open the man’s lips and crunch against his teeth. The man would have staggered if Matt had not been holding on to him, but instead Matt pulled him back for another sharp blow to the jaw.

This paragraph shows what is happening in the action scene. Any reader can get an image in their mind of what is going on. It’s a scene you’ve seen in action movies a hundred times before. But books aren’t action movies. The reader can’t see what you don’t describe.

Fight scenes, or any action scenes, are not really about what is going on, anyway. They are about what the characters think and feel about what is going on, how they react and what changes them when the action occurs. Action scenes should be told in deep POV for maximum effect. Instead of pointing out every single punch, kick and hair-pull, narrow down the view to a few key things.

Have you ever been in a fight, car accident or other high-action event? Do you see the guy pulling back his fist then hammering it into your jaw? Or do you just feel the flash of pain and anger as the guy lands a punch? Do you see the shred of tires on the pavement and feel the tip and roll of the car, which makes your groceries in the back spill out and smash open? Or do you register the impact and then the sickening fear that you might actually die at any second?

Elements of Dimension

M. Lori Motley has a short story and a humorous poem in Elements of Dimension. Pick up your copy today at Twin Trinity Books or through Amazon, B&N or your local book store.

Now Available

Elements of Time

Available from Twin Trinity Media.

Elements of Dimension

Elements of Dimension continues the Twin Trinity short story anthology series with more top-quality stories and poems. This book explores the themes of science fiction, fantasy and reality. I have one short story, "Death Obeyed," and one poem, "Tale of the Suburban Dungeon" in this book.

Elements of Time

"Elements of Time" short story anthology is available now. It features winning stories from the Accentuate Services contests plus themed poetry. Two of M. Lori Motley's short stories, "Inescapable" and "No Time Like Now," are included.


Elements of Soul

"Elements of Soul" short story anthology is available now. It features fifteen winning stories from the Accentuate Services contests plus themed poetry. Two of M. Lori Motley's short stories, "Summer Heat" and "Flood of Tears," are included.